PLINKITY PLONK release
DARREN TATE & PAUL BRADLEY - SOMETIME
TODAY
Plinkity Plonk plink 019
CD only
Sometime today, is a collaboration between
Darren Tate and Paul Bradley. In his own unique and intimate way,
Darren recorded the basic tracks at his home in York. Including
guitar, keyboard and various other techniques, these recordings
were passed onto Paul who took them with him, along with a laptop,
on a recent visit to Turkey. These original tracks were supplemented
with various field recordings taken around the town of Fethiye
and the piece assembled during this three-week visit. Voyeuristic,
evocative, abstract and delicate, you are invited to spend some
time in their sonic world.
Darren Tate made his name in the group Ora,
a floating collective that included Colin Potter, Andrew Chalk
and Jonathan Coleclough. More recently he is heard as one half
of Monos with Colin Potter and on a growing collection of limited
solo release CDRs on his own Fungal Records.
Paul Bradley started out with his first
commercial release on ICR and this friendship and partnership
has continued over two collaborative CDs with Colin Potter. He
has released several solo discs on his own Twenty Hertz label
and recently appeared on the Monos release "Landscapes",
which then led to the "Sometime Today" collaboration.
This CD is available for 16 euros including
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listen to
excerpt
reviews
DARREN TATE & PAUL BRADLEY - SOMETIME
TODAY (Plinkity Plonk CD)
Sometime Today begins with a tiny scraping of objects coupled
with a subtle two note melody that recalls later Morton Feldman
compositions like For Samual Beckett and even the recent Bernhard
Günter homages to Feldman. For stalwart drone scientist Darren
Tate of Ora and Monos, here working with Paul Bradley, these references
merely introduce a revolving kaleidoscope of timbral interweaving.
Gradually, Tate and Bradley's soundfield expands through a web
of undulating sinewave feedback tones; in turn, these pure sounds
steadily give way to the sustained mantras from a long stringed
instrument and bowed metals. Throughout the album, field recordings
echo in cathedral reverb and a chorus of looping drones resonates
in harmony with the acoustic sounds. Sometime Today is among the
best work by either artist.
(Jim Haynes in The Wire 253, march 2005)
Artist: DARREN TATE/PAUL BRADLEY
Title: Sometime today
Format: CD
Label: Plinkity Plonk
Rated:
2004 was an incredible year for the Twenty Hertz/ICR partnership,
as witnessed by an amazing series of solo and collaborative cds.
"Sometime today", released by Beequeen's Plinkity Plonk,
closes the circle with the only missing combination, i. e. Darren
Tate (Monos, Ora) and Twenty Hertz's own Paul Bradley. A perfect
companion to Monos' "Landscapes", "Sometime today"
is a lengthy, multi-layered and shifting track where the two UK
soundmakers weave the best meditative drone work I heard last
year. As expected, sound sources are stringed instruments, electronics
and field recordings, in the best Ora/Monos tradition - but once
again, what is really astounding is the organic cohesiveness,
and the emotional power, of the resulting sound mass. The piece
harmonically shifts from an initial blissful suspension to the
final startling vehemence of low-end drones and scraping recordings.
Not a minute is wasted or redundant. Pure droning bliss.
Review by: Eugenio Maggi <http://www.chaindlk.com>
On "Sometime Today", Darren Tate
and Paul Bradley present a 38 minute long collaboration, which
consists of subtly manipulated field recording, mesmerizing drones,
and slowly enveloping harmonics. For this release, both Tate and
Bradley provided the source material, which was subsequently mixed
by Bradley. Beautiful drones slowly descend on what sounds like
strings being rubbed and environmental recordings, veiling the
other layers and pulling one further into the experience of listening.
More layers are added to this initial configuration of elements,
which then slowly transits into recordings of city-like sounds,
occasional guitar abuse, and more low-end harmonics. Only towards
the end things get a little harsher when high-end frequencies
are layered on rumbling basses, and develop into a more unsettling
score. The recordings have an elegant manner of unfolding, and
an intriguing quality due to clever juxtapositions of elements.
(Phospor Magazine)
DARREN TATE / PAUL BRADLEY - SOMETIME TODAY
(CD by Plinkity Plonk)
Two artists who've been making and releasing music before but
this is the first thing I'm listening from them. 'Sometime today'
can be filed under: late-summer-afternoon-walk-in-the-park drone.
It's reminding of a hot weather summer afternoon walk with loved
ones in an almost empty park, yellow leaves have falled from the
trees, a pond... Inspiring atmosphere and music. Paul Bradley
runs the label Twenty Hertz and Darren Tate is a part of the groups
Ora and Monos. There's one piece on this release, almost 40 minutes,
stretched atmosphere created with guitar, keyboard etc. (courtesy
of Darren) and a laptop (courtesy of Paul in the town of Fethiye,
Turkey). Paul have added some field recordings in the music, taken
while visiting the Orient. Nice, peaceful, relaxing piece, patiently
changing in few phases by adding layers of sound. Ok for both
close listening or as a background while reading something casually,
poetry recommended. (BR) Address: http://www.kormplastics.nl
(Vital Weekly 462)
DARREN TATE/PAUL BRADLEY - Sometime today
(Plinkity Plonk)
There must be something in the water over there in the North of
England; put any work by one of these magicians under a microscope
and you'll never have a clue about sources, treatments, inspirations
or influences. In this joint release by Tate and Bradley, you
find yourself "in the zone" after a few moments: Darren's
field recordings and Paul's electronic transformations strike
a perfect balance in an infusion of slowed down drones and human
activity that has the power of shutting any extra cerebral activity
completely out of your life's picture. There is a strong relationship
among the different components of the music that can be distinctly
experienced even in the total cohesiveness of some high-impact
low frequency evolution: listen to your woofer crying mercy if
raising the volume over a medium/low level. I'm sure that - thanks
to these sounds - one can change his/her own brainwave emissions
because of a total distance from the psychological elaboration
of these disguised codes. Summarizing it all, this is another
crucial record in the respectable long chain of CDs by both Tate
and Bradley: these guys rekindle the dying flames of a spiritual
value that quite often I consider as utterly disintegrated.
(Touching Extremes)
Darren Tate/Paul Bradley - Sometime Today
(CD Plinkity Plonk)
Darren Tate genera i suoni con chitarra, tastiera e altri strumenti,
Paul Bradley filtra il tutto via computer aggiungendovi field
recordings dalla Turchia. Variazioni esotiche e morbidamente accoglienti
su drone sapientemente modulato e circondato di risonanze, che
di tanto in tanti si appiglia alla concretezza di suoni naturali,
oggetti percossi, acqua. Ipnotico. (7 out of 10 rating - Blow
Up 81)
Die Kollaboration von DARREN TATE &
PAUL BRADLEY für den Ambient-Soundscape Sometime Today (plink
019) verlief ähnlich wie bei Tates vergleichbarem Duo Monos
zusammen mit Colin Potter, mit dem er auch schon in Ora zusammen
spielte und der sich ansonsten seit vielen Jahren als Tonregisseur
um die Releases von Nurse With Wound verdient macht. Wie bei 360°
(Anoumalous Rec.) oder Nightfall Sunshine (Die Stadt) liefert
Tate Basictracks, teils eingespielt mit Gitarre und Keyboards,
andernteils Fieldrecordings, die von seinem jeweiligen Partner
überformt und atmosphärisch verdichtet werden. Bradley
hatte das Material mit in die Türkei genommen und dort in
der Nähe von Fethiye auf seinem Laptop weiter verarbeitet.
Die Bekanntschaft der beiden hatte Potter vermittelt, auf dessen
Label ICR (Integrated Circuit Records) in York Bradley debutiert
hatte, gefolgt von zwei Kollaborationen mit Potter und einer Reihe
von Veröffentlichungen auf dem eigenen Twenty Hertz-Label.
Die in einem Stück dahin fließende Klangwelt von Sometime
Today ist über weite Strecken so dröhnminimalistisch
und atmosphärisch, dass sich Chillout-Rooms in Zengärten
verwandeln könnten. Sanfte Wellen schwingen und schweben
hinter der Zirbeldrüse vorbei, von Fröschen umquakt
und manchmal bellt ein Hund. Das Weben und Rauschen mischt sich
aus metallischem Sirrklang, ganz vagen, entfernten Stimmen, hohlem
Gedröhn und Gerappel wie aus einem Tunnel. Nach 27, 28 Minuten
setzen stumpfe, wie rückwärts verschluckte Geräusche
ein. Die dadurch entstandene Unruhe schlägt sich im Bewusstsein
nieder, Umwelt wird zur Traumwelt, durchwispert von elektronischen
Geheimnissen. Innen und Außen sind nicht mehr zu unterscheiden.
Es ist, als ob man den Traum eines anderen träumen würde.
(Bad Lachemy 46)
Darren Tate Paul Bradley - Sometime Today
(Korm Plastics)
Musik die einfach so klingt als wäre man in einem Schlafsack
aus Plastik mitten in der Antarktis gelandet und würde sich
plötzlich Nebelhornkonzerte einbilden und das schmatzen der
Eisbären dazu hören. Klar dass das mehr als nur ein
Hörspiel ist, das ist blanke Angst und pure Spannung. So
jedenfalls wirkt es auf mich und ist damit eine der besten experimentellen
CDs des Monats, die sich sofort in Gefühl und Bilder umsetzt,
und unmittelbarkeit ist bei so einer Art von digitalem Sound Experiment
ja nicht grade häufig.
http://www.kormplastics.nl
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(De:Bug)
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